Throughout her life, a young woman from the future has gathered evidence about her ancestors to understand the way they lived before and during the era when society was reimagined.

In the quarantine stage of the 2020 pandemic, a woman and her husband reflect on their marriage, how time has somehow conflated, making them, at once, who they are now and who they used to be.

A man reflects on the past week while an unexpected storm rages outside, and he compares the events that follow with the fall of the Roman Empire.

A man recalls his intimate friendship with his former English professor, who resolved to fuel his unsatisfied desire for playwriting during the time they were apart. In their reunion decades later, instead of the brilliant play he promised, the professor shows his former student a disturbing product of his mental instability.

When married scientists invent a means of observational time travel, they hope to expose the WWII atrocities committed on Chinese prisoners by the Japanese at Unit 731 in Pingfang. However, their efforts only stir up political controversy and hateful backlash from denialists, and ultimately reveal that nations - and individuals - often choose to hide from the past rather than confront it.

Following a messy breakup, an MIT graduate and a PhD student at Indiana University separately talk about the problems in their former relationship in two spliced-together conversations, exploring conflicts surrounding language, intimacy, commitment, and intellectualism.

As a man tosses out his old things during the pandemic, he thinks back to the lives he lived with them.

In the near future, an energy crisis compels humanity to take advantage of the one source left untouched by industrialization: the past.

A man flies back to the country of his birth and reckons with people and places he longer seems to know.

Version 1. A woman periodically travels back in time, only returning to her present timeline when she dies. In a present-day trip to a museum, she finds her histories rewritten through the male lens. Version 2. A woman time-traveler who periodically and involuntarily lives a whole other life in the past struggles to adapt to the present. Along with an eroding friendship and marriage, she becomes fixated with the erasure of women—and veracity—in our telling of history.