During their discussion of philosophy and the downward spiral of the world’s condition, a group of men is startled by a voice in the dark that recounts for them two stories of the human embodiment of battlefield carnage. When the voice finishes, the men struggle to pinpoint where it came from.

Through a confronting use of second-person, four haunted houses are hypothesized, each worse than the last, and ending with the most terrifying picture of all: dark reality in suburbia.

When a group of adults get stranded in the middle of nowhere, they seek shelter from the rain in a secluded cabin, only to be cast into a horror show created by a child's imagination.

A woman hides from a hurricane in her home as her loved ones who have died pass through her house with haunting reminders of their deaths.

Several mysterious deaths occur in a large house. When the crime scene investigator visits the scene, he becomes drawn to the perpetrator of the crime: the house itself.

A woman’s hallucinations of her dead lover take a dark turn when he convinces her to accompany him to the afterlife.

When an alcoholic-turned-family man in modern-day Cleveland has sleeping problems due to his son’s night screaming, he is haunted by his other family that he left behind a decade prior. During a nightmare about his old family, he wakes up to an even more grim reality.

An extended visit from a relative leaves a young boy terrified in his own home.

A high school girl, the lone survivor of two massacres, skips town, believing herself cursed. But when she realizes her virginity and “Final Girl” status afford her protections, she resolves to hunt down serial killers before they claim their victims.

After a drunk college boy falls off a balcony, a slew of characters--a groundskeeper, another student, a chaplain, and an RA--relate to his death in different ways. Their stories are sidelined for the core matter: that a boy died.