In a dystopian future dominated by technology, a man is ejected from his orgynism—a mass of sedated human bodies connected for their own sexual pleasure. Without that blissful oblivion, the man is left to wander what is left of his city.

When aliens land on a planet new to them, they find a population obsessed with a virtual reality and uninterested in the intense beauty of the natural world around them.

A man attends a classical music concert and uses it as a surrealistic form of escape as he copes with the news of his mother's death.

After a city-slicker moves to the country to build his dream home among nature, he meets a mysterious hunter who keeps his passion going. When the hunter stops visiting, the man becomes disillusioned as he waits for his newfound friend to return.

A series of journal entries based in the far future mark a middle-aged female scientist’s descent into Adamancy: a disordered obsession with diamantine structures on Neptune that, when melted, allow for instantaneous travel through space. The diaries, alongside reportage on the creation of “the Melee,” or teleportation technology from these diamonds, tell the story of the scientist’s entrapment by her colleague— and her attempted escape.

Two struggling dream-fabbers in a future relying entirely on dreamed creations must save their tanking careers, by any means necessary.

After being recruited for a so-called neurological study, man meditates on the imaginary city he sees in his dreams.

A man's lonely life focused on the pursuit of reason and music leaves him questioning what more there may be in the lives of other people and of religion.

In this excerpt from a longer piece of work, multiple characters' lives intersect near an interplanetary brothel.

Everything all at once in word form.