Through a confronting use of second-person, four haunted houses are hypothesized, each worse than the last, and ending with the most terrifying picture of all: dark reality in suburbia.

During their discussion of philosophy and the downward spiral of the world’s condition, a group of men is startled by a voice in the dark that recounts for them two stories of the human embodiment of battlefield carnage. When the voice finishes, the men struggle to pinpoint where it came from.

A quasi-reformed stalker worries about the influence of his creepy behaviors on his son.

A twelve-year-old boy has grown up his entire life being taught how to restrain his mother, who experiences monstrous transformations that leave her unrecognizable. When his father gets trapped in a room intended to restrain the mother, the boy has to quickly mature, lest he lose both his parents.

A paranoid old woman makes a disturbing discovery that intensifies her fears about being the victim of a crime.

An extended visit from a relative leaves a young boy terrified in his own home.

A weathered housewife finds her only purpose in caring for her mentally ill son whom she protects from her abusive husband. When police come around investigating a murder, she fears her husband may be responsible.

Several mysterious deaths occur in a large house. When the crime scene investigator visits the scene, he becomes drawn to the perpetrator of the crime: the house itself.

Everything all at once in word form.

A high school girl, the lone survivor of two massacres, skips town, believing herself cursed. But when she realizes her virginity and “Final Girl” status afford her protections, she resolves to hunt down serial killers before they claim their victims.