Through a confronting use of second-person, four haunted houses are hypothesized, each worse than the last, and ending with the most terrifying picture of all: dark reality in suburbia.

During their discussion of philosophy and the downward spiral of the world’s condition, a group of men is startled by a voice in the dark that recounts for them two stories of the human embodiment of battlefield carnage. When the voice finishes, the men struggle to pinpoint where it came from.

A young woman in an unhappy relationship with a deeply bizarre apartment manager observes his strange new tenants.

When an alcoholic-turned-family man in modern-day Cleveland has sleeping problems due to his son’s night screaming, he is haunted by his other family that he left behind a decade prior. During a nightmare about his old family, he wakes up to an even more grim reality.

A young boy comes of age in front of a television screen playing monster movies in 1970s America.

A troupe of graverobbing Nigerian children weave together rich tales of their deceased victims set in America, a place full of villains.

A high school girl, the lone survivor of two massacres, skips town, believing herself cursed. But when she realizes her virginity and “Final Girl” status afford her protections, she resolves to hunt down serial killers before they claim their victims.

A son tells a series of stories, most of them about his father and stepfather. As the son describes a robbery that took place at his house in high school and his experiences with his father, a former Jehovah's Witness and current alcoholic, he begins to recall details from his childhood.

An extended visit from a relative leaves a young boy terrified in his own home.

When a group of adults get stranded in the middle of nowhere, they seek shelter from the rain in a secluded cabin, only to be cast into a horror show created by a child's imagination.