A divorced 16 year old girl reflects on how the sexual trauma she experienced as a child perpetuates in her relationships with men throughout her life, forcing herself to grow up too early and leaving her starved for affection and love.

During their discussion of philosophy and the downward spiral of the world’s condition, a group of men is startled by a voice in the dark that recounts for them two stories of the human embodiment of battlefield carnage. When the voice finishes, the men struggle to pinpoint where it came from.

When a group of adults get stranded in the middle of nowhere, they seek shelter from the rain in a secluded cabin, only to be cast into a horror show created by a child's imagination.

A young woman wakes up hungover, next to a stranger in a bed that isn't hers the morning after a night out, covered in blood with no memory of what happened.

A woman slowly observes her husband transform into some sort of monster after he returns from a trip to the Arctic.

A woman hides from a hurricane in her home as her loved ones who have died pass through her house with haunting reminders of their deaths.

After a drunk college boy falls off a balcony, a slew of characters--a groundskeeper, another student, a chaplain, and an RA--relate to his death in different ways. Their stories are sidelined for the core matter: that a boy died.

A housewife violently assaults an unsuspecting intruder with mental images of torture.

Through a confronting use of second-person, four haunted houses are hypothesized, each worse than the last, and ending with the most terrifying picture of all: dark reality in suburbia.

In New York, a girl’s uncle dies from Covid and is left in their apartment because the morgues are at capacity. As the girl looks for a way to keep her uncle’s body from scaring her little brother, she depends on the generosity of strangers to help her get through this strange time.