A series of interconnected vignettes and characters explores themes of race, incarceration, family, heartbreak, and love.

A young white girl takes on responsibility for repaying Black people in America back for their suffering under slavery after hearing a gospel choir sing.

In Iowa, a young Black man goes to a party where he meets a host of artist types who cause him to reflect on how people relate to each other.

A Black couple vacationing in France implodes after facing countless microaggressions, taking their discontent out on one another.

In 2018, a pedestrian on the New York City’s Lower East Side witnesses a young Black couple in love, prompting a consideration about the storytelling, hope, and Nelson Mandela.

A racist grandfather and his grandson get lost in the Atlanta. The grandfather wants to convince his grandson that Atlanta is bad because of its Black population, but his grandson does not yet understand race.

After a global nuclear war on Earth, white man rockets over to a community of Black expatriates living on Mars and begs them to take in the remaining survivors. A Black resident convinces his town they need to prevent racism by segregating any white newcomers, but his wife implores him to think of their common humanity.

As he reflects on a murder perpetrated by his father, a college professor considers the history of his family and how race and violence intersect.

A young Native American man talks about his encounter with a white man who was captured by his tribe. The white man and the Native American man grow closer through mutual teaching.

Nana, a twenty-nine year old Ghanaian-American man from Cleveland, tries to repair his relationships with Sassy, his high school sweetheart, and Edwin, his Princeton-educated older brother, when Edwin comes home for the first time in five years.