A young man who has wasted his life finds himself sucked into a non-human world — a gray, ghostly landscape to which those who don't make use of their time are drawn, potentially forever.

In a contemporary American town, a middle aged woman takes a magical trip through the past upon hearing that her mysterious childhood friend has recently died.

As a teenage girl stumbles upon a mysterious portal leading her to a utopian, magical world, her storyline converges with that of the author—a middle-aged, married mother of two who has come out as asexual to her husband—leading both to a reckoning with their unfulfilling romantic relationships and deepest desires.

In a dystopian future dominated by technology, a man is ejected from his orgynism—a mass of sedated human bodies connected for their own sexual pleasure. Without that blissful oblivion, the man is left to wander what is left of his city.

In this metafiction, the many lives of an unnamed man are scrutinized as he passes through millennia.

As she wanders in and out of forests to escape her past and the boy she feels guilty for wanting, a woman gives birth to and abandons a child she thinks of as the physical embodiment of her sin.

One late summer, a time-traveling couple and their daughter move into a house in the countryside. Their daughter soon develops a strong bond with the girl who lives across the street, but as the time-traveling parents prepare their family to jump to a new time, the two teenage girls face the terrifying prospect of losing their treasured friendship for good.

A woman tries to understand the space-time continuum and his love.

A man's lonely life focused on the pursuit of reason and music leaves him questioning what more there may be in the lives of other people and of religion.

When a young couple in a park joins hands and miraculously teleports back home, the man’s subsequent obsession with recreating that one-off spark of magic drives a wedge in between them.