During their discussion of philosophy and the downward spiral of the world’s condition, a group of men is startled by a voice in the dark that recounts for them two stories of the human embodiment of battlefield carnage. When the voice finishes, the men struggle to pinpoint where it came from.

A young woman wakes up hungover, next to a stranger in a bed that isn't hers the morning after a night out, covered in blood with no memory of what happened.

A young man remembers his sexual trauma while idly watching the torturing of a kidnapped kid.

When a group of adults get stranded in the middle of nowhere, they seek shelter from the rain in a secluded cabin, only to be cast into a horror show created by a child's imagination.

A young boy comes of age in front of a television screen playing monster movies in 1970s America.

A little girl tells the story of how her ceramic figurines come from glazing little people that live in the walls of all houses.

A woman slowly observes her husband transform into some sort of monster after he returns from a trip to the Arctic.

A high school girl, the lone survivor of two massacres, skips town, believing herself cursed. But when she realizes her virginity and “Final Girl” status afford her protections, she resolves to hunt down serial killers before they claim their victims.

A young girl seduces a man into her haunted house, where a humanoid governess with a dark side threatens the young girl and the man's safety.

Through a confronting use of second-person, four haunted houses are hypothesized, each worse than the last, and ending with the most terrifying picture of all: dark reality in suburbia.