Short stories by James Lee Burke

James Lee Burke was born in Houston in 1936, and grew up on the Texas-Louisiana Gulf Coast. He attended Southwestern Louisiana Institute for two years and graduated with honors from the University of Missouri. He attended the University of Madrid briefly in the first year that Franco allowed foreigners back into Spain since the Spanish Civil War, and later received a Master’s degree in English from the University of Missouri. There he met Pearl Pai, who was in two wars and flew two years with the Flying Tiger Airline (later renamed Air America). In graduate school, she worked as a waitress and he at three jobs, and they lived in a basement that had a curtain for a door. Over the years James Lee Burke taught in four universities, one community college, and the Job Corps. He was also a case worker in California with former felons, the indigent, migrant farm workers, and the criminally insane. He was a pipeliner in Texas, a landman for Sinclair Oil Company in Louisiana, a surveyor in Colorado, a long-distance truck driver, and a newspaper reporter. He finished his first novel, Half of Paradise, when he was twenty-three, but could not find a publisher for it. In Los Angeles he met George Poole, a kind and gentle former member of the Abraham Lincoln Brigade who introduced him to an agent in New York. Upon publication, the novel was given a six-column review in The New York Times. The reviewer, Wirt Williams, author of Ada Dallas, compared Burke’s novel to the work of Faulkner and Sartre. Burke published two more novels, then submitted the manuscript titled The Lost Get-Back Boogie. It stayed under submission for over nine years and was rejected more than 111 times. The consequence was that Burke stayed out of hardback print for thirteen years. During this period he met his current agent, Philip Spitzer, who was driving a cab in Hell’s Kitchen at night and running a one-man agency during the day. When The Lost Get-Back Boogie was finally published by Louisiana State University Press, it was nominated for a Pulitzer Prize. Burke has been a Breadloaf Fellow and Guggenheim Fellow, and has been awarded two Edgar Awards for best novel, as well as the Grand Master Master Award, by the Mystery Writers of America. Today the Spitzer Agency still represents James Lee Burke, and writers such as Michael Connelly, and is located in the Hamptons. Two for Texas was adapted by TNT for television, and Heaven’s Prisoners and In the Electric Mist were theatrical releases. The Robicheaux series has been translated into almost every language in the world. Burke and his wife, Pearl, have four children and four grandchildren, and live on a ranch in western Montana. Their son Jim is an attorney in Phoenix; their daughter Andree is an educational psychologist; and their daughter Alafair is a law professor and former assistant district attorney, and the author of thirteen crime novels, and co-author of five novels with Mary Higgins Clark.

Listing 5 stories.

In World War II Texas, Aaron’s grandfather shelters a group of Mexican migrants in his barn. When Mr. Watts, a federal agent with ties to the clan and a mysterious past with Aaron’s mother, shows up to investigate Aaron’s grandfather, the adults are forced to reconcile the past and Aaron must piece together his family history.

In Sheridan, Wyoming during the Red Scare, two migrant workers--an escaped convict and a union organizer--run into trouble with their boss--a corrupt Western movie star who rapes the ex-convict's girlfriend--that places them back on the run. Trouble stemming from the union organizer's reputation as a so-called dangerous Communist follows them to their next job in Montana. In a tense and fast-paced turn of events, the union organizer sacrifices his life to exact revenge on their former boss and the ex-convict and his girlfriend escape to Canada.

During Hurricane Katrina in New Orleans, a former heroin addict saxophonist, and his longtime friend observe the destruction of their city while they wait for the drummer’s gangster brother to rescue them.

In 1940s Louisiana, a young boy watches his father try to combat the racist injustice rampant in their town.

In 1950s Louisiana, an oil rig employee struggles to cope with the trauma of witnessing a horrific crime in Latin America.