A writing critic reviews the construction of Charles Chesnutt’s stories and how to write surfiction.

Passive and easily satisfied, Roger spends his days managing his secondhand bookstore The Pleiade. He worships modernist classics without fully reading them, he’s gregarious but seldom invited to dinner, and he types novel after novel methodically, but all are rejected. He passes seasons of love and loss in unfailing, impassive routine.

Upon returning to Paris after a decade-long hiatus wandering the French countryside and writing an epic, a poet encounters an enigmatic young woman who believes he is a god and wants to be his disciple,

In the depths of his mind, a writer tries to uncover the autonomous, nefarious motivations of his own characters.

A teacher on the Lower East side meets a friendly man with a presence resembling a dead English poet.

A man recalls his intimate friendship with his former English professor, who resolved to fuel his unsatisfied desire for playwriting during the time they were apart. In their reunion decades later, instead of the brilliant play he promised, the professor shows his former student a disturbing product of his mental instability.

In the late 90s, a woman moves from New York to LA to teach part time at an art school. As she becomes disillusioned with the art world, she finds a dominant partner and turns to BDSM to ground herself in the empty landscape.

A young couple obsessed with syntax sets off to meet their favorite author.

Searching for a muse to inspire a novel he is attempting to write, an author in San Francisco finds his passions ignited by something much more sinister.

A writer receiving feedback from a professor on their drafts is sure that the person on the other end is a man. They wrestle with their own hidden identities until the end of their literary relationship comes with an unexpected revelation.