A woman has an affair with a female lover who works in retouching models and imagines retouching the woman's face and body. The lover carries multiple selves inside of her, one of them a muscular, furry, aggressive man whose body hers (the lover's) sometimes resembles in bed.

A woman falls in love with a man she makes pornography with in a dystopian-like society where mysterious businessmen control this sex-work enterprise.

After a frustrating date—upset by the way even sex between women is shaped by patriarchal forces—a lesbian in NYC has sex with a male friend from college, determined to prioritize her pleasure over her learned instinct to satisfy the interests and egos of men.

A young woman's breasts detach from her body and take on a life of their own.

Onstage at a club, a lesbian couple perform a sexually explicit act, aroused by a complex ruse they construct using ventriloquism.

A man wholeheartedly agrees with a columnist in a recent paper about creating an amendment to abolish same-sex marriage, however, he takes it one step further: he suggest they also abolish "samish-sex" relationships, wherein overly feminine men date overly masculine women.

When an electrostatic apparition appears in their bathroom, product of two electrically charged sex toys, Cleve and Issy must work together to destroy it before they're both killed.

A young woman struggling with body dysmorphia attempts to identify who she is in the face of unexpected interest from a young man.

In a story inspired by the incel phenmenon, Nats, a sex worker in Capetown, decides to provide the voice for growgirls, the latest line of sexdolls, made out of artificially grown organs. After she is exposed to the public as the voice actress, Nats is haunted by a violent stalker.

A couple attends the show of a marvelous, sensuous, and regal African American singer in Paris. The wife of the couple finds herself struggling for a grip as the pleasure of seeing this performer infiltrates her fortress of restraint.