Online, space ship storytellers discuss why they tell stories for a living—and how to do it right.

Aboard a human city ship headed for Proxima b, shadows begin to haunt the sleeping passengers. An engineer commits suicide, and a psychotherapist finds that these apparitions feed on human guilt. The only way to survive is to master and confront the mounds of guilt that each human passenger carries inside herself.

When a scientist discovers science-based information that negates his world's established creation myth and belief system, he sends the world into chaos, with some zealots clinging desperately to their dogma, while others attempt to embrace the unknown future.

In contemporary New York, an unlikely friendship develops between the starship that hovers above the city and the Earth’s human representative. The ship faces a difficult dilemma—it must decide whether to leave to help its creators or to stay with its new human friend.

In Michigan, a recently divorced professor reflects on what it means to exist, first alone in his empty apartment and then alongside his student in a mission to find a missing girl.

Eventually it came to pass that no one ever had to die, unless they ran out of money. Then, unless they were so horrible that society had to dispose of them. Then, unless wanted to or could be talked into it. Then, no one would die so long as they had just one person who loved them.

When an astronaut awakens from hibernation long before he has reached his destination, he tries to get answers from the spaceship’s onboard computer.

Is it better to have a human civilization devoid of art and culture than to have none at all? Three Earth ambassadors must whether to annihilate a space colony that has traded away human consciousness for a hive mind that feels nothing but the need for survival. In the distant future, three humans in possession of nuclear warheads must decide whether to allow a remarkable human variant species without consciousness to dominate the galaxy or destroy them forever.

A writer for the ’60s most famed and experimental television series watches the shows phantasmic creator choose between recluse genius and a quaint life of normalcy. Faced with stubborn alcoholism, a hit television series resemblant of the twilight zone, and a tree stump with questionably magical properties, the narrator watches cinematic wunderkind David Findley toe the line between brilliance and delusion.

In the near future, two men—a quiet, rule-following biologist and a swashbuckling engineer—are tasked with a decades-long mission to colonize a planet outside the Solar System. But in the spaceship’s close quarters, tensions bubble up until one man decides he is going to kill the other.