Short stories by Nick Mamatas
Nick Mamatas is the author of six and a half novels, including The Last Weekend (PS Publishing), Love is the Law (Dark Horse), The Damned Highway with Brian Keene (Dark Horse), Bullettime (CZP), Sensation (PM Press), Under My Roof (Counterpoint/Soft Skull), and Move Under Ground (Night Shade/Prime). His latest collection is The Nickronomicon, from Innsmouth Free Press. His novels have been translated into German, Italian, and Greek. Nick is also an anthologist and editor of short fiction: with Masumi Washington he co-edited the Locus Award-nominated The Future Is Japanese (Haikasoru), and with Ellen Datlow he co-edited the Bram Stoker Award-winning Haunted Legends (Tor Books). Nick's own short fiction has appeared in genre publications such as Asimov's Science Fiction and Tor.com, lit journals including New Haven Review and subTERRAIN, and anthologies such as Hint Fiction and Best American Mystery Stories 2013. His fiction and editorial work has been nominated for the Bram Stoker award five times, the Hugo Award twice, the World Fantasy Award twice, and the Shirley Jackson, International Horror Guild, and Locus Awards. His writing guide Starve Better: Surviving the Endless Horror of the Writing Life (Apex Publications) has been excerpted in The Writer, and he has also published two joke/reference books: Insults Every Man Should Know and Quotes Every Man Should Know (Quirk Books).
Listing 2 stories.
Pete's father has always claimed to work in waste management in their hometown in Long Island — but Pete comes to realize that this job is simply a front for his father's involvement with the Italian mafia.
In an alternate Great Depressions NYC, a Jewish foreman investigates the true outputs of his factory as his eccentric German employer seeks to use an emerging idea called "industrivism," or the improvement of the human body through technology, created by a bored pulp writer, to recruit workers to fulfill his machinations. Without realizing, a pulp writer in an alternative 1920s New York City invents the idea of "industrivism" that earns her an audience with an eccentric German businessman. Meanwhile, a Jewish foreman investigate the true purpose of the factory and unearths his employer's dark past and future machinations.