Jayne Anne Phillips was born and raised in West Virginia. Her first book of stories, Black Tickets, published in 1979 when she was 26, won the prestigious Sue Kaufman Prize for First Fiction, awarded by the American Academy and Institute of Arts and Letters. Featured in Newsweek, Black Tickets was pronounced “stories unlike any in our literature…a crooked beauty” by Raymond Carver and established Phillips as an writer “in love with the American language.” She was praised by Nadine Gordimer as “the best short story writer since Eudora Welty” and Black Tickets has since become a classic of the short story genre. Machine Dreams, Phillips’ first novel, published in 1984, elegantly and astutely observes one American family from the turn of the century through the Vietnam War. “Reaches one’s deepest emotions,” wrote Nadine Gordimer. “No number of books read or films seen can deaden one to the intimate act of art by which this wonderful young writer has penetrated the definitive experience of her generation.” A New York Times best seller, Machine Dreams was nominated for the National Book Critics Circle Award and chosen by the New York Times Book Review as one of twelve BEST BOOKS OF THE YEAR. Fast Lanes, her next book of stories, each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances, was praised in the LA Times as “stories that hover on the edge of poetry.” Re-issued by Vintage, the new edition includes three previously uncollected stories, “Alma,” “Counting,” and “Callie.” S_helter_, her second novel, a haunting, suspenseful evocation of childhood rite-of-passage, was awarded an Academy Award in Literature by the American Academy and Institute of Arts and Letters and chosen one of the Best Books of the Year by Publishers Weekly. Praised in the Washington Post as “Mesmerizing . . . the physical world — a girl’s camp in rural West Virginia – is so thoroughly and beautifully evoked that within pages we are completely drawn in,” Shelter deals with the “broken covenant between parents and their children” and the transition between childhood and adolescence. “Powerful…brilliant…Phillips writes it as a legendary quest . . .transformation, for Phillips, is the terror, magic and ordeal of what happens year by year as we grow out of childhood. She has set her remarkable novel at the mysterious crossroads where old safety, with its unexplained shadows, becomes more lethal than new danger, with its fearsome ventures. Her triumphant novel, MotherKind, examines timeless questions of birth and death. Winner of the Massachusetts Book Award and short-listed for the prestigious Orange Prize (UK), MotherKind “explores the intuitive bond between mothers and daughters with unforced grace…throughout this compassionate and spiritually nourishing novel.” (Publisher’s Weekly) Lark And Termite, set in the 1950s in West Virginia and Korea, is a story of the power of loss and love, the echoing ramifications of war, family secrets, dreams and ghosts, and the unseen, almost magical bonds that unite and sustain us. At its center: seventeen-year-old Lark and her brother, Termite, a child unable to walk and talk but full of radiance; their mother, Lola; their aunt, Nonie, who raises them; and Termite’s father, Corporal Robert Leavitt, who finds himself caught up in the chaotic early months of the Korean War. Told with enormous imagination and deep feeling, the novel invites us into the hearts and thoughts of each of the leading characters; even into Termite’s intricate, shuttered consciousness. A Finalist for both the National Book Award and the National Book Critic’s Circle Award, winner of the Heartland Prize, Lark And Termite was praised in the New York Times as “an intricate, deeply felt new novel reverberates with echoes of Faulkner, Woolf, Kerouac, McCullers and Michael Herr’s war reporting, and yet it fuses all these wildly disparate influences into something incandescent and utterly original.” Phillips’ fifth novel, Quiet Dell, based on a true story, concerns the infamous 1931 murders committed in a hamlet of the same name near her hometown in West Virginia. Con man Harry Powers led a double life, and preyed on vulnerable widows he met through matrimonial agencies. He imprisoned and murdered an Illinois widow and her three children (ages 14, 12, and 9), and a Massachusetts divorcée, all of whom came to Quiet Dell willingly. The tragedy was one of the first nationally sensationalized crimes in America; the story preoccupied a rural town and the Depression-era nation for months. Quiet Dell boldly imagines the Illinois family’s last year of life, and gives us an indomitable heroine, Emily Thornhill, a Chicago reporter fascinated and compelled by the youngest of the children, and determined to see Powers convicted. Her relationship with the Chicago banker funding the investigation is as exhilarating as the crime is grim. Throughout the revelation of secrets both terrible and beautiful, Quiet Dell recounts the connections woven between us even in tragedy. A mesmerizing retelling of a harrowing true crime, Quiet Dell is a triumph.

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